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Illustration by Aaron Meshon |
Fine Dining:
A brief history
By Jamie Maw
THE SANDS AND SHOALS of the city’s dining landscape
change daily, and over the past 40 years the aggregate
of that change has transformed the way we eat today.
It’s a landscape of many colours and textures
that immediately speaks to new migrants arriving here
to extol the virtues of their native cuisines. Some,
perhaps homesick or spying a business opportunity, open
restaurants to serve their countrymen. Lucky us.
More slowly, the influences of more than 150 mother
cultures made their way into our culinary DNA. Today,
Asian influences are commonplace on virtually all western
menus (even those in chain restaurants) and, if the
craze for izakaya is to be believed, the opposite is
true as well.
There have been other factors at work: economics (our
once-low dollar proved attractive to culinary tourists)
and real estate values that dictate who goes where.
Politics certainly raised its ugly head more than once.
One of the most important factors in Vancouver’s
entire dining history was the repeal of our nanny state
drinking laws just a few years ago. Its effect was to
even the landscape between hotels, pubs and restaurants.
Now, like grown-ups everywhere else, we can order a
glass of wine at a restaurant bar without “intention
to eat,” and we can also stand, as is the custom
elsewhere, to propose a toast.
But the most transformative change of all? It took at
least 40 years—the entire history of this magazine—for
our local gastronomy to come to reflect exactly where
we live, to believe in local ingredients, local design
and local chefs. Those transformations in turn now inform
our collaborative dining culture. Along the way there
have been many signal moments, events that marked evolutionary
stages in the growth of our culinary culture. Here are
the most important 10:
1967
Former Vancouver Sun theatre critic and bon viveur James
Barber hijacks a Hotel Georgia menu. He would take it
across Canada, ordering from it (with some confidence)
in hotel dining rooms across the nation. He succeeds
everywhere but Québec. Our Canadian cuisine,
it seems, is defined by imperious headwaiters with unfathomable
Austrian accents, imported ingredients and gloppy saucing.
The Great Canadian Identity Crisis is now fully engaged
with what we eat. Or don’t—surely, many
ask, we’re not just defined by Nanaimo bars and
the Yukon Breakfast at the Tomahawk. Barber himself
would engage the persona of The Urban Peasant, reporting
on flavoursome “ethnic” restaurants, then
sensually translating those flavours in a panoply of
cookbooks and his long-running CBC cooking show.
1970-73
Larry Killam’s almost single-handed redevelopment
of Gastown extols the innocence of Bootlegger jeans
and free (or at least heavily discounted) love. Boomer
backpackers, fresh from rappelling across Europe, demand
steak frites and escargots, and find them in The French
Connection—Chez Joel, la crêperie, Le Coq
au Vin, and La Brochette. Chez Victor defines weekend
cool, with omelettes elevated by crème fraîche,
fresh herbs (who knew?) and gauzy Gauloise smoke. Kafana
Bosna, a slightly dangerous repository along East Hastings,
offers meaty Bosnian dishes, meatier wines and the city’s
definitive baklava.
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In 1986, one
of the most important transitional years of our
nascent dining culture,
provincial Expo pavilion chefs are
forced to represent their local cuisines;
salmon riffs abound.

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1979
Vancouver Playhouse board member (and gourmand) John
Levine initiates the Vancouver Playhouse Wine Festival
at Hycroft. Just one winery—Robert Mondavi—is
represented; 1,000 people attend. By 1987, the festival
would become international in its scope and is now one
of the largest and most respected wine conviviums in
the world. The festival’s influence on our dining
culture would be equally telling; companion dinners
in Vancouver restaurants paired specific wines to meal
courses carefully selected by city chefs.
1981
Vancouver’s coffee culture morphs, from 7-Up-signed
greasy spoons to stylish downtown coffee bars: Ciao
on Denman, L’espresso on Seymour, Mocha on Broadway.
La Chef et Sa Femme, a charming Kitsilano restaurant,
introduces quality tables d’hote with egalitarian
$12, $17 and $24 versions—Vancouver’s first
tasting menus to plumb local ingredients. Also groundbreaking:
the chef and his wife would soon close and move to Granville
Island to open The Stock Market, steadfastly refusing
franchising opportunities while allowing amateur cooks
to cheat nightly.
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