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Image: Courtesy Christina Burridge
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Remembering James Barber
Chefs don’t eat out much. But on an afternoon
in January, with the sky threatening snow, some came
together for a meal. Rob Feenie and John Bishop, Vikram
Vij and Umberto Menghi. Tojo sat next to La Bodega’s
Jose Rivas. Rick Takhar from the Ashiana was a few tables
over. Lloyd Arntzen played the clarinet, and Holly Burke
sang “Oh James.” Everyone else, more than
200 in all, ate exquisite abalone mushrooms, drank wine
from See Ya Later Ranch, and wondered at the mystery
kazoos that sat, like dessert forks, at the top of each
place setting.
They had come to Sun Sui Wah to remember James Barber,
who died at 84 at the end of November, while reading
a cookbook at his Cowichan Valley kitchen table. The
obituaries in all the official places were kind and
thoughtful. Some noted that his cooking show, The Urban
Peasant, had been broadcast in more than 100 countries.
They told us that James made cooking simple, stripped
it of pretension, invited people to take chances, connected
eating with other pleasures of the flesh, and showed
us how food can bring us together. But they were perhaps
a tad too polite.
Decorum wasn’t a problem at Sun Sui Wah. Vij remembered
an inquisitive customer at his original restaurant on
Broadway: “I wanted to deck him.” Menghi
recalled a talkative stranger at his own first restaurant,
Casanova. Barber suggested prosciutto and lychees as
an alternative to prosciutto and melon. “What
is it,” Menghi wondered to himself, “with
these bloodsucking leeches?” Duncan Holmes said
James once proposed a picnic involving a campfire, baked
beans, and a wheelbarrow. Barber’s youngest daughter,
Alexis, wondered if genetics were responsible for their
shared obsession with “women and sex and food
and ankles and food and women.”
After all, James Barber was a profane, trenchant, reckless,
stubborn, impish, and deeply curious man who never acted
his age. He once test-drove a Jaguar to San Francisco
and back. He refused to cash his government pension
cheques, described nouvelle cuisine as “children’s
portions by an interior decorator,” and raised
donkeys on his Cowichan Valley farm so he could use
the word “obdurate” and tell visitors about
the enormous size of the erect male donkey penis.
As a teenager, he fought behind enemy lines in France,
where he fathered the first of six children, with a
farmer’s daughter. He came to British Columbia
from England in 1952 because of a story he read about
a man visiting his friends as he rowed down Shawnigan
Lake. He came to writing in his late 40s, from a career
as a civil engineer. The flippant cartoon recipes in
his seminal 1971 cookbook Ginger Tea Makes Friends broke
all the rules. He never stopped re-imagining the future,
and he never got old.
At 75, when he was still young, James had a birthday
party at an unfashionable old-school Italian joint off
East Hastings. There were clay bocce courts in the basement,
where guests knocked off a few games before dinner.
He understood that Al Ritrovo would transport people,
that it was like a child’s secret fort, a place
hidden from us in plain view, and that when the guests
walked through the door they entered another world.
To most, James was a celebrity chef, but in his heart
he was a writer. He did it with humour and ease, and
he made those unlikely connections that leave the rest
of us wondering “Why didn’t I see that before?”
In his third act, James showed us how lucky we have
been in Vancouver these last 30 years. He showed us
fresh ingredients long before they became a fashion
accessory. He introduced this city’s cultures
to one another through their food. He made the exotic
familiar, and the familiar exotic. And on a wonderful
January afternoon, his friends showed their gratitude.
At the end, Lloyd Arntzen marched out into the street
playing “When the Saints Go Marching In,”
trailing a small orchestra of kazoo players. In lieu
of all the things that still remain unsaid, James, thanks
for lunch.—Charles Campbell
Charles Campbell worked with James Barber at the Georgia
Straight, the Vancouver Sun, and, the week before he
died, at Thetyee website.
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