Vancouver Magazine
Sneak Peek at the Limited-Edition Premium Aburi Oshi From Miku
4 Tips and Tricks to Save Time in the Kitchen During the Back-to-routine Season
Much-Loved Trattoria by Italian Kitchen Re-Opens Its Doors
The King of Champagnes Is Coming to Vancouver
Ask a Wine Expert: 11 Wine Recommendations for 11 Very Specific Wine Problems
Five Cafes Ideal for Avid Readers and Coffee Enthusiasts
How to Start an Art Collection, According to a Gallerist
5 Things to Do in Vancouver This Week (September 16-22)
What It’s Like To… Find Out You Have 40 Brothers and Sisters
The Outsider’s Guide: The Best Places to Rock Climb Outside of Vancouver
The Outsider’s Guide: You’ve Conquered the Chief… Now What?
These Are the Best Swimming Holes Near Vancouver
On the Rise: Aselectfew Blends Tech and South Asian Nostalgia
Article is open in Vancouver with a gorgeous new store you didn’t know you were craving
Inside Jewellery Designer Melanie Auld’s Chic Dunbar Home
Slick, celebratory, and largely indifferent to the past, 1980s pop music was a triumph of the freaks and the futurists over older generations’ notions of “good music.” Most of the subversives who made it, though, are now passing through the exit door of middle age. Still, the mirage of eternal youth is never so lifelike as in the arena of pop: many ’80s heroes can still be found on the road. Madonna embodied the aspirational, hypersexual tenor of the times that made her a star. The cool reception to her latest album, MDNA, suggests that, at 54, she might benefit from giving up trying to act like singers half her age. But a legend is a legend, which is why she can confidently settle in for two nights at Rogers Arena (Sept. 29 and 30).
When the Red Hot Chili Peppers emerged from L.A. in 1983, wearing nothing but a tube sock per and playing a white fratboy notion of funk, few would have earmarked them for the long haul. Yet here they are, 10 albums deep and recent inductees into the Rock and Roll Hall of Fame. Their shirtlessness is increasingly ill-advised, but last year’s I’m With You ensures their stadium-filling status for the moment (Rogers Arena, Nov. 17).
Since the break-up of new wave pioneers Talking Heads in 1991, founder and frontman David Byrne seems to have made it his mission to confound expectations. September sees the release of Love This Giant, a collaboration with a similarly uncompromising – although, at 30, markedly younger – artist, singer-songwriter St. Vincent. The pair bring their combined weirdness to the Centre for Performing Arts (Oct. 20).