Vancouver Magazine
The Broadway/Cambie Corridor Has Become a Hub for Excellent Chinese Restaurants
Flaky, Fluffy and Freaking Delicious: Vancouver’s Top Fry Bread and Bannock
Care to travel the world, one plate at time? Visit Kamloops.
Protected: The Wick is Lit for This Fraser Valley Winery
Wine Collab of the Week: The Best Bottle to Welcome a Vancouver Spring
Naked Malt Blended Malt Scotch Whisky Celebrates Versatility and Spirit
5 Ways We Can (Seriously) Fix Vancouver’s Real Estate Market
Single Mom Finds A Pathway to a New Career
5 Things to Do in Vancouver This Week (March 20-26)
What It’s Like to Get Lost on a Run With a Pro Trail Runner
8 Things to Do in Abbotsford (Even If It’s Pouring Rain)
Explore the Rockies by Rail with Rocky Mountaineer
The Future of Beauty: How One Medical Aesthetics Clinic is Changing the Game
4 Fashion Designers From African Fashion Week Vancouver to Put on Your Radar
Before Hibernation Season Ends: A Round-Up of the Coziest Shopping Picks
Although they became familiar to their fellow New Yorkers on-stage at punk rock’s ground zero, CBGB (alongside the likes of Ramones and Patti Smith), Blondie never aspired to cult nobility. They were a pop band, worshipful of Phil Spector girl groups and the brilliant stupidity of the Archies’ “Sugar Sugar.” (Singer Debbie Harry also had some skeletons in her closet: she was already in her 30s and had tasted failure in a dippy late-’60s folk-rock group named Wind in the Willows.) Blondie became very popular in North America, but in the U.K. they were positively massive: 10 singles in the Top 10 and four platinum albums between 1977 and ’81, and Harry became perhaps the most iconic female face in the nation since Dusty Springfield.Among her besotted British fans was young George O’Dowd, who had his own designs on pop stardom. Renaming himself Boy George, he cultivated a then-radical androgynous image and, with his group Culture Club, began achieving his dream just as Blondie’s career went into free fall. By the mid ’80s, he too had crashed and burned, but not before selling tens of millions of records and minting two karaoke mainstays, “Do You Really Want to Hurt Me” and “Karma Chameleon.”Harry has just turned 70; O’Dowd, 54. Which means it’s time for reunions (Blondie has reactivated itself many times since the ’90s) and a trawl of the casino circuit. Culture ClubFriday, July 17, 8pmHard Rock Casino Theatre (2080 United Blvd., Coquitlam)Tickets $140-$165 from TicketmasterandSaturday, July 18, 8pmRiver Rock Show Theatre (8811 River Rd., Richmond)Tickets $140 from Ticketmaster BlondieWednesday, July 22, 8pmRiver Rock Show Theatre (8811 River Rd., Richmond)Tickets $90-$105 from Ticketmaster