Vancouver Magazine
BREAKING: Team Behind Savio Volpe Opening New Restaurant in Cambie Village This Winter
Burdock and Co Is Celebrating a Decade in Business with a 10-Course Tasting Menu
The Frozen Pizza Chronicles Vol. 3: Big Grocery Gets in on the Game
Recipe: This Blackberry Bourbon Sour From Nightshade Is Made With Chickpea Water
The Author of the Greatest Wine Book of the Last Decade Is Coming to Town
Wine Collab of the Week: A Cool-Kid Fizz on Main Street
10 Black or African Films to Catch at the 2023 Vancouver International Film Festival
8 Indigenous-Owned Businesses to Support in Vancouver
5 Things to Do in Vancouver This Week (September 25- October 1)
Protected: Kamloops Unmasked: The Most Intriguing Fall Destination of 2023
Dark Skies in Utah: Chasing Cosmic Connection on the Road
Fall Wedges and Water in Kamloops
Attention Designers: 5 Reasons to Enter the WL Design 25
On the Rise: Meet Vancouver Jewellery Designer Jamie Carlson
At Home With Photographer Evaan Kheraj and Fashion Stylist Luisa Rino
To some, the 2011 contest victory of The Sheepdogs (Aug. 30, Malkin Bowl)-garnering 1.5 million votes to grace the cover of Rolling Stone-was a freakish fairy tale (the Vegas odds of a band releasing an album on a major label these days are pegged at 143:1), but the Saskatoon quartet’s solid, unpretentious boogie-rock smacks of lessons learned the hard way. After five years of touring and two independent discs, the shaggy retro-rockers were still playing weeknight shows at dead-end bars. “Shit was bleak,” singer Ewan Currie told Rolling Stone. Post-cover, their latest self-titled album debuted at No. 1 in Canada and went gold in March. The winding road to overnight success is well travelled. Daryl Hall had been playing music professionally for over 10 years (seven with university pal John Oates)-studying the masters, experimenting with genres, learning the art of crafting impeccable hooks-when the duo broke out in 1976 with its first No. 1 hit, “Rich Girl.” Still, four more years would pass before pop-soul icons Hall & Oates (Aug. 15, Queen Elizabeth) really began to own the charts, this time with a rapid succession of hits including the earworm epics “Kiss on My List” and “Private Eyes,” eventually earning the title of bestselling duo in music history.
For tickets, visit: Ticketmaster.ca