Vancouver Magazine
Burdock and Co Is Celebrating a Decade in Business with a 10-Course Tasting Menu
The Frozen Pizza Chronicles Vol. 3: Big Grocery Gets in on the Game
The Best Thing I Ate All Week: Crab Cakes from Smitty’s Oyster House on Main Street
Wine Collab of the Week: A Cool-Kid Fizz on Main Street
The Grape Escape for Wine Enthusiasts
5 Wines To Zero In On at This Weekend’s Bordeaux Release
If you get a 5-year fixed mortgage rate now, can you break early when rates fall?
5 Things to Do in Vancouver This Week (September 18-24)
10 Vancouver International Film Festival Movies We’ll Be Lining Up For
Dark Skies in Utah: Chasing Cosmic Connection on the Road
Fall Wedges and Water in Kamloops
Glamping Utah: Adventure Has Never Felt So Good
On the Rise: Meet Vancouver Jewellery Designer Jamie Carlson
At Home With Photographer Evaan Kheraj and Fashion Stylist Luisa Rino
At Home With Interior Designer Aleem Kassam
What began in 2003 as a modest collaboration between two local theatre companies has expanded into a juggernaut bent on forging relationships between Canadian multidisciplinary artists and their counterparts from around the globe. Argentinean writers, cult Japanese directors, Lebanese playwrights—they’re all here thanks to a performance/think tank of ever-increasing reach.
Do You Want What I Have Got? | Writer-broadcaster Bill Richardson and indie composer Veda Hille find melody in the flotsam of goods offered for sale on Craigslist. Includes the songs “Children’s Guillotine” and “Free Man’s Toupee.”
The Solo + Ensemble | London director Andrew Cross screens Canadian premieres of films documenting prog-rock supergroups of the ’70s: The Solo (featuring drummer Carl Palmer of ELP) and Ensemble (The Enid, dubbed Europe’s biggest cult band).
Fyodor Dostoyevsky’s The Idiot | In 2005, Neworld Theatre and Vancouver Moving Theatre presented a musical adaptation of Dostoyevsky’s Crime and Punishment. Now they’re back with the story of a man too good for his own good.
Guided Tour | Be led through the after-hours passages of the art gallery in this exploration of memory and place, anchored in artifacts, videos, and text presented by London creator/performer Peter Reder in collaboration with Boca del Lupo theatre.
