Vancouver Magazine
BREAKING: Team Behind Savio Volpe Opening New Restaurant in Cambie Village This Winter
Burdock and Co Is Celebrating a Decade in Business with a 10-Course Tasting Menu
The Frozen Pizza Chronicles Vol. 3: Big Grocery Gets in on the Game
Recipe: This Blackberry Bourbon Sour From Nightshade Is Made With Chickpea Water
The Author of the Greatest Wine Book of the Last Decade Is Coming to Town
Wine Collab of the Week: A Cool-Kid Fizz on Main Street
10 Black or African Films to Catch at the 2023 Vancouver International Film Festival
8 Indigenous-Owned Businesses to Support in Vancouver
5 Things to Do in Vancouver This Week (September 25- October 1)
Protected: Kamloops Unmasked: The Most Intriguing Fall Destination of 2023
Dark Skies in Utah: Chasing Cosmic Connection on the Road
Fall Wedges and Water in Kamloops
Attention Designers: 5 Reasons to Enter the WL Design 25
On the Rise: Meet Vancouver Jewellery Designer Jamie Carlson
At Home With Photographer Evaan Kheraj and Fashion Stylist Luisa Rino
If Kenneth Branagh movies have taught us anything, it’s that Shakespeare is meant to be lively, salty, mischievous fun. Message clearly received by one Christopher Gaze, artistic director of Bard on the Beach, now in its 24th season. With the wines and the chocolate and the zany period settings, if Bard were Hamlet, it would be a lot more Branagh’s than, say, the iconic Sir Laurence Olivier’s. (I myself favour the Kevin Kline version.) This year’s presentations hew closely to the spoonful-of-sugar approach, with elements to recommend each show.